1.  L’Occitane Verbena Body Salt Scrub ($36) This is the best body scrub I’ve used in a while. It has a very intense, natural lemon scent. It smells soooo good—- honestly, it changes my entire day when I use this.

2.  NARS Multiple in Malibu came in this Sweet Disposition set.  This is a deep burgundy with a bronzy blue tint.  These deep tones look so good in late summer.  Because this has an overall cool tone, it looks good with soft silver and cool taupe eyeshadows.

3. I pulled this Giorgio Armani Eyes to Kill Palette in Steel Black (reviewed here) from my stash and found it makes a great, soft and flattering look.  Using the outside ring of soft cool taupe, and a touch of the lightest shade as a highlight, it looks like I tried much harder than I actually did.

 4.  Nuxe Huile Prodigieuse (reviewed here) makes a great dry oil for fast skin and hair conditioning.  Sometimes I put it into my hair for an hour in the morning while I’m reading or doing other things.  By shower time, it rinses out very cleanly and leaves my hair very soft.

5. Burberry Nude Rose lipstick (reviewed here) is an effortless way for a smooth, polished look.

So, what are you loving right now? I’d love to learn…

 

If you were paying very close attention to Giorgio Armani’s Spring 2011 collection, you heard a sudden warmth and enthusiasm when beauty lovers discussed La Femme Bleue Long Wear Waterproof Eye Pencil ($27).  There was slightly hushed tone and a “don’t miss this one” intensity from those in-the-know.  The only item I ordered from this collection was this black pencil for one reason–to find out if it was, truly, the miracle pencil.  I’ve concluded that it probably is.

Released in three colors (black, brown and a deep green leaf), this pencil was previously released only in black and was sold out in an instant.  Although I’m enamored with my Le Metier de Beaute’s Precision Liquid Liner, I knew if I didn’t leap now that I’d risk missing out.

I’m not usually a fan of pencils because they tend to tug and pull, and go on unevenly.  Some have trouble smudging.  There are some exceptions, in fact Armani’s black pencil in their regular line is one of the best I’ve used.  Some of the Chanel and Shu Uemura’s are stellar.  I’ve had a few MAC Pearlglides that I’ve enjoyed.  For drugstore, Prestige’s Total Intensity is nice.

The Armani Le Femme Bleue blew them all out of the water.

This pencil goes on as soft as a gel.

It can be smudged.  I used my Chanel smudge brush (but any will do) during the first minute to create  perfect smudge.

Once it’s set, it’s really set.  Yes, it will last all day.

It lasted through a massive cry without budging.

The texture is very, very soft.

And its very waterproof.

And very black (no glitter, no shimmer, no gray).

Will it last on my waterline?  Yes, but I cannot say with certainty that it will last on yours–I’m to be cautious in this review as I’ve found that quality varies from person to person.

Downsides:  Curiously for a $27 pencil, there is no sharpener included (according to Charlestongirl at The Best Things in Beauty, sharpeners are free at an Giorgio Armani counter for the asking).  Unlike Armani’s standard pencils, there is no smudger on the flat end.  Unlike pen liners, it must be sharpened frequently to get a very thin, fine line.  Limited edition.

Bottom line: Expensive but buzz-worthy.  I deeply, deeply wish these were permanent.  Karlasugar has the other colors swatched here.

 

When Giorgio Armani announced a new eyeshadow formulation, Eyes to Kill, I was electrified.  First, Giorgio Armani understands creams, fluids, powders, textures and–let’s face it–glamour.  My hope was that they were execute a formula as no other company has.  The current buzz is that the three introduced for Holiday 2010–#13 (black), #15 (gold) and #16 (silver)–are a first step into a more extensive line.

I ordered the gold, #15, to test the formula.  Armani’s are $32 each (20% off if you catch a Friends & Family event).  By comparison, other pot eyeshadows are somewhat less–Make Up For Ever Aqua Creams are $22 each, and Shiseido Hydro-Powder eyeshadows are $25.   However, if you have read Café Makeup before you will probably not be surprised that I am undeterred by this disparity.

#15 is a blackened gold, in a little pot topped with a little loose lid, and a screw top:

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Holiday 2010 has been all about metal textures, shimmer and shine.  To this season, Giorgio Armani adds the Gold Rush collection, which includes the Platinum Palette Sheer Shimmer Powder ($55).  Although the name infers cool toned silver tones, in fact the palette imparts a soft candle lit glow.

The round, sturdy sleek palette uses the same design which draws me to reach for Giorgio Armani when I need an elegant product that fits into virtually anything and holds up through the roughest handling.  Inside:

A close-up shows the beautiful texture of this palette:

The palette is roughly the same circumference as the Armani eyeshadow palettes, but is a solid pan of highlighting powder.  In direct flash:

It’s safe to let the pictures do the talking to demonstrate how beautiful this palette is.  The effect of this is subtle– here I’ve swatched it quite heavily over a base to bring out the color and shine:

Another, also applied heavily over a base to show the candlelight soft shimmer color:

Here’s a comparison between Giorgio Armani’s Gold Rush Platinum and Yves Saint Laurent’s Colorama Highlighter:

Do you need them both?  No, unless you like the versatility of the different color choices.  Both a beautiful, excellent quality palettes that give a soft, beautiful glow.  Gorgeous.

Here is the ingredient list for the Giorgio Armani Platinum highlighter (click to enlarge):

 

Giorgio Armani Beauty’s Fall 2010 Night Viper collection includes a limited edition eyeshadow Maestro eyeshadow quad ($59).  Packaged in the sleek and delightfully sturdy round packaging, these four shadows are placed in a striped pattern with a full, usable mirror:

These eyeshadows carry through the blue theme we’ve seen in so many lines this year–Estee Lauder’s Blue Dahlia Palette, Bobbi Brown’s Denim & Rose collection, and others.  The Armani blue swatches as a deep-toned color with a hint of gray and a touch of purple.

Photographed in warm sunlight with flash

The overall impression that these arm-swatches give is neutral-to-cool.  I found that on my fair, warm (NC15- Chanel 1.0) skin, the entire Armani palette applies as very cool.  This is because the highlighter shade is so extremely cool in its tone.  I cannot emphasize enough that this highlighter becomes shut-the-door, out-of-control dramatic on warm skin–indeed, Armani Beauty describes the white shade as “silver.”  Those with warm skin will want to ensure that their brows are well-manicured to go with this highlight shade.

Photographed in shade with flash

This last shade borders on a very cool-toned taupe, and is appropriately described by Armani beauty as an “icy brown.”  The blue is described as the “star shade” of the palette–indeed, it seems the most multidimensional and interesting, and it seems the other colors are designed to set off this deep blue shade.

When applied to the eye, the dark brown shade is a light-absorbing, shadow-creating cool brown.  It can give you a dramatic socket.  The blue is pretty, it’s deep enough and mixed with other colors to be modern.  I like layering it over the khaki (which is a grey off-gold),  or using the blue just in the center of the eye near the lashline for a little color.

All shades are shimmery but not as shimmery as the Steel Black Eyes to Kill Palette that I recently reviewed.  Also, note that the texture of this Fall 2010 Maestro quad is harder and similar to the formerly-introduced Armani quads in the same configuration.  They are workable with a stiff brush, or by using sufficient pressure with a standard brush.  If you are looking for buttery soft, look elsewhere.  If you are looking for something of an average softness, look at Armani’s Eyes to Kill line.

Because of my warm skintone, this palette is pure drama.  Although I love to wear cool shades for that effect, the Fall 2010 Maestro is particularly cool.  Those who are warm toned and fair will want this for the very formal or evening occasions, rather than for everyday.

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