Guerlain’s Holiday 2011 offerings include a star product, Guerlain Parure de Nuit Pressed Powder and Blush ($67/0.35 oz.).  The product comes housed in a formal, lacquered housing that is well-designed and sturdy.

One half (or more) of the bulk of the compact is due to the brush housing, in a lower compartment:

I must admit that this product is not within my particular demographic. The peacock pattern, I’m guessing, may be released to evoke the New York City Waldorf’s Peacock Alley to celebrate the re-opening of Guerlain’s Day Spa at that location. However, peacock feathers seem to evoke my mother’s generation rather than my own.

This violet-scented product has a glittery clear glaze that sparkles like diamonds in the sunlight, but sweeps away easily after the first few brush strokes.  If you look in the mirror reflection in the photograph below, you can see how dramatic the overspray diamond effect is:

Is clear glaze the new overspray?  It appears to be; although I suppose its slightly preferable because one can see the product colors underneath a glaze (whereas metallic overspray covers it entirely).  However, I’m a texture fanatic.  I don’t like anything that gets inbetween me and the powder, thank you very much.  I’m now patiently awaiting the demise of a clear glaze trend.  After brushing away the glaze layer, Liz and I started to use the Guerlain Parure de Nuit highlighter.

Here is the result–above is a picture of Liz wearing Guerlain Parure de Nuit in full sun (thank you, Liz, we know posing in full sun is not so fun).  There is some bronzer on her lower cheek under her hairline.  The largest percentage of the Guerlain Parure de Nuit powder is a nearly-invisible peach tone that is near a fair skin tone.  The circlets of more intense apricot give the powder some very subtle color when applied.  The effect is a more shimmery, pinker version of Nars Sex Appeal blush (reviewed here).  The effect when wearing foundation is very faint pink-peach color, a near-nude that glimmers in full sunlight.

My sense is that you are either going to be very attracted to the packaging and presentation of Guerlain Parure de Nuit, or you are not.  Or perhaps there is a friend or family member that would adore this compact based on their individual taste–for a bit, I flirted with the idea of shipping mine off to my mother rather than reviewing it here (my mother prefers accessories to makeup, so I declined to do so).  For me, this Guerlain does the highlighting/subtle blush job beautifully but no more so than others available at a lower price point with a less elaborate presentation.  My sense is that you could do just as well with a Dior Star Shimmer Powder at $44, or several other options reviewed on this site, and tuck the remainder away toward the Spring ’12 collections.

 

Guerlain’s Holiday 2011 collection includes a new Meteorites Perles de Nuit ($56 / 1.05 oz.).  As with the other recent Meteorites releases, these are packaged in a beautifully designed metal container in shades of deep midnight blue.  It’s safe to say that these are limited edition.

Here’s the bottom label:

 Inside, the powder pearls are shades of pink, gold, orange and silver pearls to illuminate without whitening.

All the pearls:

I’ve worn these for two days, and absolutely love them.  They seem to mattify and give a pearl glow at the same time.  Unlike last year’s holiday meteorites Perles D’Or (reviewed here) which have a warm rosy gold glow, Perles de Nuit is a more neutral pearl effect which works well on both warm and cool skin tones.  These meteorites are gorgeous.  By the way, these are currently for sale on AHALife.com.

Guerlain sent this product to Cafe Makeup without charge for consideration and review.

 

Guerlain Ecrin 4 Couleurs in Les Perles ($59 / #08) is a pearly, shimmery glowing palette of gorgeous color.  The colors include:

  • On the left, a shimmery pearl-oyster beige-gray (Guerlain does these types of colors really well)
  • On top center, a soft white pearl
  • On bottom center, a deep, multifaceted richly pigmented burgundy-purple
  • On the right, a pearly soft light pink
This was my favorite palette so far from the Guerlain Ecrin 4 Couleurs line.  The pigmentation and coloring is beautiful. It gives a lovely, luminous effect.  I didn’t find any comparable palettes in the Ecrin 6 Couleurs palette line.  Here, the colors:
Liz and I found application was very easy.  The colors blended well, and were easy to lay down on the lid with a soft brush.  The texture was smooth and luminous.  We had excellent wear time as well.  Neither of us is very consistent using a base, but we both found that the color held up well all day without one.
Lis used the pink pearl (right) as her base color.  She used the gray (left) in the outer half of the eye, and the burgundy (lower center) in her crease very softly.  Then she placed the white in her inner corner.
We loved the glow of Guerlain Les Perles.  It gives a delicate look without too much heavy color.  We absolutely loved this palette.
One last look:
Here’s a picture of the outside of the Guerlain Ecrin 4 Couleurs palettes (all colors have identical palettes outside):
 

Guerlain Ecrin 4 Couleurs Palette in Les Noirs ($59 / #09) is a combination of three very dark gray to black shades, with one pearly light pink highlighter.

The left black shade is a near-matte, very deep-toned and pigmented.  It can be used as a liner shade or touched more lightly to add depth to the crease or the outer corner.  The bottom metallic pearly gray is complicated, it is infused with multicolor shimmers.  It has a “black oil” effect that swatches in a very pretty way.  The light pink pearl is a traditional, soft color for browbone or inner corner.  The right medium gray shade has a pearly shimmery texture.

Liz and I wanted to love Les Noirs.  Unfortunately, we found a few issues with the palette that left us cold.  First, the colors are really too rich and black for our pale skintones, at least for our taste.  These three very deep colors are statement colors, and regrettably these aren’t the statements that we wanted to make.  Rather than adding drama, we found that their cool dark tones a bit aging.  Second, we found the texture of Les Noirs significantly harder to blend that the other palettes in the line.  We found that we really had to “pat pat pat” these colors on the eye area.  They seemed to drag and pull, even with very good brushes we didn’t get a smooth laydown of color without significant effort.  We had much better luck with the other Guerlain Ecrin 4 Couleurs that we tried.

We gave this one a few tries before we thought this was ready for the camera. Here, Liz used a patting motion, and primarily relied on the pink pearl color touching the grays in the crease and outer corner very lightly.  By using mostly the lighter tones, she minimized the darkening effect which seems to close down our eye area (in a not-very-flattering way).

Liz is using Benefit’s “They’re Real” mascara (reviewed here).

Bottom line–there are better palettes in Guerlain’s Ecrin 4 Couleurs line. Based on our experiences, we’d give this a “miss.”

 

When my order of a few of the new Guerlain Ecrin 4 Couleurs palettes arrived, Les Gris ($59 / #5) was the first that I happened to open.  I literally gasped–this is visually stunning palette.

On the far left is a matte gray.   The top center is a shimmery shell beige highlight.  The bottom center is a deep, sparkling shimmery navy.  The far right is a medium gray metal shimmer.

 Les Gris didn’t seem to have a strong corollary in the Ecrin 6 Couleurs.  Instead, this one is a deep, cool and nicely-textured edgy combination.  Liz used the lightest shade as the base color for her lid, then layered the blue (bottom center) over the top of the base. She then used the right shimmery grey in the inner corner.  She touched the dark grey (on the left) in her crease lightly.  She’s using Benefit They’re Real Mascara (reviewed here), in natural light (no flash) in this picture:

Another picture, with flash.  You can see how the pearly texture of the shimmery shades reacts to the light:

 Same, eyes closed with flash:

Liz and I found Les Gris extremely easy to use.  The texture is beautiful and blends well.  Lovely colors–interesting but not over the top.  Highly recommended.

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