Jul 162010

Consistent with the deep mauves and purples featured in Chanel Fall 2010, Cassis Stylo Yeux Waterproof ($28) (Contour des Yeux Longue Tenue Long Lasting Eyeliner) (limited edition) is a deep berry blackened plum.  “Cassis,” which means “black currants” in French, is deep enough to give definition to the upper lid.  Similar in pigmentation to Chanel’s Black Jade, one can use this as an off-black to give a beautiful color accent that will work well with a variety of eye colors.

That being said, I love to wear Cassis over a black liner.  It gives it an added depth that I really enjoy.  Cassis will look beautiful with any of Chanel’s Fall 2010 eyeshadows.  In addition, I love to wear Cassis with a champagne-colored wash.

Here are a few very quick swipes on my skin.

When applying the pencil to the eye, I move more carefully, feathering the liner in quick, short strokes as I move across the lashline.  This avoids any hard lines which can look too obvious.  Then, I go back over the line with a smudge brush to even the color and smudge it out even more.

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Jun 302010

Chanel Paradoxal Nail Color #509 ($23) (Le Vernis/ Nail Colour), released for Fall 2010, is a purple polish infused a heavy dose of gray and a slight touch of brown, shot through with shimmer.  It gives an impression of an off-grey that leans toward mauve.  It is an unusual color, I have not seen anything close to Paradoxa’s color.  The closest that I own is Essie’s Demure Vixen (swatched here by Scrangie), but Essie’s is far more pink, lighter and far less gray.

Paradoxal is best when worn opaquely, and requires two coats to get there. The brush is the typical Chanel, which I find works well (or perhaps I’m just used to it).  From a distance in normal light, it looks like a cream formula.  However, it behaves more like a jelly.  In strong light and looking closely, you can see the suspended shimmers, which gives a bit more depth to the polish than a cream formula would impart.

The shimmer in Paradoxal’s bottle implies that there is some sort of magic in the polish, just waiting to be released upon opening.  Analogies to Pandora’s box aside, I was intrigued to learn whether this mysterious swirling effect translates to the nail.

I found that the swirling effect appears in the bottle only–on the nail, the shimmer is quite evenly distributed (click the picture to see the shimmers more closely).  No swirls, as you see in the bottle. The color is striking:

I envision this polish looking lovely when wearing greys, ballet pinks, many blacks and mauve-based cooler tones in general.  This is most flattering on cooler skintones.  I’m going to put my bottle away until the weather cools, this seems to be clearly a fall-winter color.  It’s striking yet still could be worn in an chic office setting.  Like many darker-toned polishes, application should be as flawless as possible and the hands well-maintained –the color is so unusual, it does attract attention.

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Jun 302010

Chanel Plum Attraction #63 Joues Contraste Powder Blush ($42) is a deep, dark red-plum blush that looks quite dramatic.  When I opened this compact, all I could think was “This is so 1980’s.  How can I make this modern?” Chanel has a way of challenging my makeup routine, and that is why I love the line.  The products are so beautiful and intriguing that I cannot help but try to figure them out.  Makeup is fashion;  fashion is supposed to push new visions.  I vowed to give Plum Attraction a try.

Still, I’m not going out with massive color on my cheeks.  I’m quite pale and have warm undertones, with hints of mauve in my lip coloring.  I think this mix allows me to wear both warm and cool colors.  Yet Plum Attraction is such a deep dark shade; care is needed on lighter skin tones.

First, I covered my face completely in foundation to get a flawless canvas.  I rejected the thought of applying this blush as I would any other Chanel Joues Contraste blush, which is primarily from the apple of the cheek to the hairline.  That would overwhelm. I tried applying the blush very gingerly to the center of the cheeks only, using a MAC 187 very lightly.  This was not successful for me–it had a “just in from the cold” look but the strong color drew attention to my cheeks.  Who wants to emphasize their cheeks?  No good.

Second, I looked at Chanel’s promotion picture for Fall 2010.  Notice how she has a very open front cheek–there is very little blush applied to the center of the face:

Notice also that the blush is applied with a very soft edge to avoid the “1980’s blush streak” that would date the look (and probably add a few years to her in the process).  Using this as a guide, I found this blush looked best on me when applied the blush very far back on the cheek, much closer to the hairline.  With my duo fiber brush, I was able to obtain a very soft application that could be built up slightly so I could carefully control the color.  No hard edges at all.  As you can see on the model, this gives a slight contouring effect and draws attention to the eye. This works best for me, at least based on these first few days of experiments.

A few words about this blush:

  • This strong color worked well on a flawless face.  If you have any red areas on the skin, you would do well to conceal them first.
  • The pigmentation level is very high and needs a light hand.  I’m using this with a MAC 187 duo-fibre /skunk brush to help me control application.
  • The powder is very, very soft.  Any brush stroke brings huge fallout in the compact.  I found that the powder adhered well to my brush, so fallout during application was not a problem.
  • There are shimmer bits in the pan.  The blush applies somewhere between a matte and a very slight glow. I didn’t notice any shimmer bits on my cheek after application, but it is likely to happen.  If this troubles you, you can try blowing on your brush before applying to knock them off, or brush them off if they make their way onto your cheek.

You can see that the blush can be applied very lightly on the right, yet still show color:

This swatch shows how heavily this blush applies with a standard blush brush.  If you look closely, you’ll see a few shimmer bits peeking through:

Bottom line:  A great blush for Fall, but not for everyone.  Plum Attraction can be a challenge, and can deliver dramatic results.  I do occasionally enjoy wearing strong colors and so find this blush works for me.  If you buy the blush, I propose that you do a practice run the first time to find a look that suits you.

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Jun 282010

Chanel Soft Touch Eyeshadow in Taupe Grisé #87 ($28.50) (Ombre Esssentielle / Ombre a Paupieres Mono Douceur/ Soft Touch Eyeshadow/ Single) is a chameleon color that moves from soft brown-gray to mauve.  It is a must-have eyeshadow for those who want a beautiful deep toned taupe. As you read this review, please keep in mind that this is precisely the type of color that I could wear every day for a month.  I am NC15/Chanel Cameo, with blue-green eyes. This color works unusually well for me, so my glowing review may not apply to your coloring and personal preferences.

The texture is absolutely beautiful and quintensentially Chanel.  It is one of the best of the Chanel singles–and, in case you don’t already know, some of the Chanel singles are very, very good.  It is buttery smooth and quite easy to work with.  The color is an instant classic to me–innovative and timeless.  Just as Vamp was for nail polish, Taupe Grisé is both edgy and classic for eyeshadow.  It is a delightful surprise to find that of all of the beautiful taupes on the world, there was one that had yet been imagined. I don’t have (or know) of anything that is quite this color.

The color is a dark brown-gray in the pan.

Once applied, Taupe Grisé’s dimensionality defies description–the way that it changes in different light indicates that it has been infused with something that reveals a silver, a brown and sometimes a touch of mauve depending on the light.  Here is a comparison with Chanel Safari and the long-ago discontinued Chanel Vega in neutral light.  This is very close to the color that it shows when applied to the lid:

This is not, strictly speaking, a true duochrome.  However, it does have a complexity that shows different predominant colors depending on the circumstances.  Here is a comparison of warm and cool lighting effects on the shadow:

It has been shot through with multicolor micro-shimmers, which you will see only if you look very close.  This is not a frosty shadow with big pigment pieces, rather this is finely milled so that it does not create any lines or create an unflattering emphasis. This is a must have for someone like me, who loves neutrals with a kick.  Each of these photographs reflects a different side of this very complicated eyeshadow.  That is exactly what I enjoy about it. I’m quite that I will use this up.  Expensive, but the texture and gorgeous classic color are worth every penny.

According to an email that I received from Chanel.com, Taupe Grisé is a limited edition product.

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Jun 282010

Released earlier than ever this year, Chanel’s Fall 2010 collection includes the Enigma (#19) ($56) eyeshadow quad (Chanel Les 4 Ombres Ombres a Paupieres Quatour /Quadra Eyeshadow).  The word “Enigma” evokes a puzzle or mystery; similarly Enigma evokes a dark smokey sparkle that bespeaks dark magic. In recent seasons, Chanel has introduced quads that have been unusual for the seasons in which they were released–light colors in Fall, jewel tones in Spring.  Breaking this pattern, Enigma is firmly rooted in fall tones of gray, mauve, deep grayed-greens and charcoals.  With one sparkling highlighting pink, the other three tones are clearly built for making a smoky eye with subtle flashes of light and off-blacks that give dimensional color around the eye.  As Coco Chanel has been thought to have said, only black can draw attention to one’s eyes.  The Enigma quad clearly arises out of that tradition.  Even the “mid-tone” shades in this palette are on the darker end of the scale.

I found the texture of the palette wonderful, one of Chanel’s better quad-formatted palettes.

You should note a few different things:

  • The color, density and consistency of application worked better with a base than without for me;
  • The pink is a neutral light pink.  This is a pink that I believe many skintones can wear close to the eye (although I do not typically wear a pink eyeshadow).  There is a lightness to the color that it does not seem as problematic as other pink eyeshadows.
  • Using any of these darker colors as a liner is not only possible, but really beautiful;
  • There is a microshimmer to each of the shades.  On application, it was most pronounced with the two medium colors –the top left and the bottom right.  The deepest shade (bottom right) behaved more closely to a matte, although this was not a true matte because microshimmer was clearly visible.
  • The overall impression that this palette gives is neutral-to-cool.  It will look dramatic on warm skin tones.
  • With the exception of the pink highlighter shade, each of the colors is quite complex.  Like Chanel’s Joues Contraste blushes, putting these colors into words usually requires a combination–such as plum-burgundy-mauve-gray.  See what I mean?

Leave it to Chanel to do shimmer well.  Because the base of these eyeshadows does not have any frost, the eyeshadow when applied did not appear to emphasize any line or irregularity on the lid.  It is not a distracting sparkle or a jejune frost, rather it is a way to add depth to the lid so that the eye is nicely emphasized.

Another swatch:

The following swatch was taken with flash (cooler light):

Here is a picture taken in direct sun, so that you can see the microshimmer.  When applied to the eye, the sparkle is not as obvious:

My thoughts:  Three of the shades in the palette are very dark and smokey, and the combination is obviously intended to make a deep, dark beautiful lid.   Those who love doing a smokey eye will find this palette very intuitive.  If you are looking for a lighter look, consider using the deeper tones very close to the lash line, fanning the deeper color out as you approach the eye crease.

Sometimes those with smaller lids, coloring or particular eye shapes do not like doing a deep or dark crease, because it can make the eye look smaller.  In those cases, a lighter look can also be achieved by covering more of the lid area with the pink highlighter, Chanel Beige (matte) or Chanel Lotus (shimmer).  Other light-to middle toned colors from your collection would work as well, although I would go with a neutral to cooler shade to stay in step with the rest of these colors.  Here is a link to some pictures that include three lighter tone grays to get you thinking.  A cooler gold, a light khaki-green or soft lavender might also work.

Do you need this palette? If the idea of a deep, jewel-toned smoke appeals to you, then yes.  If you are looking for less shimmer, you should look at the singles released with this collection:  Taupe Griséand Vert Khaki (I’ll be reviewing both over the coming days–they are both gorgeous).  Both of these singles evoke similar color tones to Enigma, but do so with heavier pigmentation and less shimmer.  Even so, the colors of all of the Fall eyeshadows are all different from one another.  There are no duplicates among them.

According to an email that I received from Chanel.com, the Enigma quad is a limited edition product (and so are the eyeshadow singles Taupe Grisé and Vert Khaki).

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May 122010

Via Lushious Beauty, here are some preview pictures of Chanel’s Fall 2010 Collection.

This collection is designed for non-U.S. markets–we can only hope that the U.S. versions will be just as beautiful!  This theme is built around the Joues Contraste Blush–one of my favorite beauty products. Here’s a link to my reviews of several from that line.  These new ones look very intriguing:

The line also includes some Glossimers, two nail polishes (Jade Rose is back!), an Inimitable mascara in a violet-purple color, two eyeshadow singles and, of course, an eyeshadow quad to compliment the other colors in the line:

I suspect that the U.S. version will have similar colors, but the familiar rounded square pans and the powder texture, rather than the round baked version pictured here:

From the pictures, these appear to be the Rouge Coco formula:

A nude eye pencil (Yay! Chanel has needed one of these!) and an amethyst eyeliner:

Three new Joues Contraste? I die!

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