Sep 262012
 

Nars Andy Warhol Collection includes three portrait-themed palettes, based on Warhol’s 1967 Self Portrait. There have been about forty of these identified, these silk-screened works were made in various sizes and color combinations. Each of the three Nars Andy Warhol have a version of this self-portrait over sprayed over three eyeshadow colors. Like the Flowers palettes, these are very large 0.42 ounce size–much larger than a typical Nars blush or eyeshadow duo.

I must admit that although I’ve seen many beauty products with a women’s cameo (Lauderee, Guerlain and MAC Barbie to name a few), I’ve never opened a compact with a man’s portrait. This “pop cameo” is entirely new. For those who engage with Warhol’s art, it’s an intriguing concept. And just as Warhol suggested that fame is fleeting–after all, we’re only famous for 15 minutes–in this palette the Warhol image brushes away quickly with just a few brushstrokes, leaving only the blocks of color behind.

A fresh palette:

After playing: 

Nars Andy Warhol Self Portrait 1 uses combinations of two colors–deep blue and green–with black for an accent liner color.

Like the Flowers palettes, these include Andy Warhol inscription on the mirror:

The three colors, all of which are matte colors, can be mixed and blended to vary the colors.

I found the colors quite soft, bordering on sheer. I was impressed that Makeup for Life was able to create this vibrant look by packing on the color.

NARS Andy Warhol Portait 2 was my favorite of this portrait series. This includes shimmering cream and silver, with a generous amount of black.

Closer, you can see how beautifully executed the overspray is:

The mirror inscription:

 

 

I found the texture of this palette far different than the other two–it was quite pigmented, easy to use and very easy to use. Swatches:

The Nars Andy Warhol Portrait 3 was a combination of  gently pigmented matte light brick and heather blue, with a deeper brown brick as the liner color.

Although the overspray has a touch of duochrome shimmer, the underlying shades are matte.

I found that Portrait 3 was a bit difficult to build up a strong color–applied with normal brush pressure, you will get an effect similar to this:

I loved the unusual combination of these bricks with the heather blue. However, I found that the lighter brick was a bit tricky for me to pull off. Over my Laura Mercier Eye Basic used as a base, I found that these colors–although softly pigmented–did last all day. The inscription on the mirror of Portrait 3:

The Nars Andy Warhol palettes come packed with information for those unfamiliar with both makeup color placement and Andy Warhol’s art. Here’s a color look suggestion card for Portrait 3:

There is a multi-page booklet that points out some of the background influences of the collection:

Overall, my strong preference from these three is Portrait 2. It has, by far, my favorite texture and highly wearable colors. Of all six Nars Andy Warhol eyeshadow palettes, my favorite is Flowers 3.

Nars provided these palettes to Cafe Makeup without charge for consideration for review.

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Sep 232012
 

Liz in Andy Warhol Style
Made with D.I.Y. Pop/ Warhol app for iPad

As promised, here is a quick swatch comparison of the background taupe and the highlight whites from all three NARS Andy Warhol Flowers palettes. To my eye, they all look the same. Any differences that you see are likely attributable to slight differences in brush pressure, lighting or the like. In sun:

 In shade:

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Sep 222012
 

My favorite product from the Nars Andy Warhol Collection is the Flowers 3 palette, a shimmery combination of taupe, two medium browns, a deep brown and a shimmery white.  An overview of the format of this palette is here, in my review of Flowers 1. Here is the review of Flowers 2.

If I were to choose one single item to purchase from the items that I’ve tried (which do not include the kits), it is Flowers 3. These shadows are a shimmery neutral lover’s dream. I’ve worn this for about a week, and was still exploring the combinations that I could make. This palette’s Warhol inscription: “All is pretty.” 

Swatches (from left to right) 1) background taupe; 2) white flower; 3 & 4) both medium shimmery flowers; and 5) the deep brown flower:

Here, Liz used all three colors (but just a touch of the white in the inner corner), and used Nars Andy Warhol Soft Touch eye pencil in Heat under her lower lashline. She also used a standard black liner (Giorgio Armani) on her inner waterline:

Same look, different angle:

A full look, same combination of Flowers 3 and Heat, together with Chanel Rouge Allure Intense in Seduisante.

Overall, I found the texture excellent, and the palette very easy to use to achieve a beautiful look. Definitely my favorite of the Nars Andy Warhol Flowers format, and possibly my favorite palette of the collection.

Nars Cosmetics sent Flowers 3 and Soft Touch Eyeshadow Pencil in Heat to Cafe Makeup for consideration for review.

 

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Sep 202012
 

Nars Andy Warhol Eyeshadow Palette in Flowers 2 ($55) follows the same format as the Flowers 1 palette from this series (reviewed here), so I won’t repeat. All shades in this Flowers 2 palette–the white, the periwinkle blue, and the background taupe, are softly shimmered (the white sort of glows).

The whites and the blue flowers each have a twin in this palette–I could not detect any significant differences between the two whites or the two blues. I sort of loved the soft ethereal blue in this palette. It’s a soft blue with a fair amount of gray and a touch of purple, which works well with the taupe and cool white of the rest of the palette. The blue reminds me of the color added to gas–a modern yet somehow retro color. The overall theme is cool toned, which looks softly dramatic on my warm skin tone.

The Andy Warhol inscription on the palette’s mirror is “You need to let the little things that would ordinarily bore you suddenly thrill you.” Swatches:

One more set of swatches:

I swatched the taupe background first, then both white flowers, then both blue flowers for completeness. Overall, I’ve enjoyed this unusual palette.  I love the background taupe and the lavender blue, and the white is quite smooth and workable. Those with deeper toned eyes and cool skin tones are likely to love this palette as well. After I review my favorite palette from this collection (Flowers 3), I’ll post a picture comparing the taupes and whites of all three Flowers palettes.

My experiments with the longevity of the Nars Andy Warhol Eyeshadow palettes is continuing. Today I wore one of the Portrait palettes (review upcoming) over a Laura Mercier Eye Base and got beautiful all-day wear.

Nars sent the products used in this review without charge to Cafe Makeup for consideration for review. 

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Sep 192012
 


The Nars/ Andy Warhol collection has released three large eyeshadow palettes in the style of Warhol’s flowers silkscreens (example above). I find this concept so ingenious. The themes of Warhol’s other work are tastefully integrated into the packaging. The themes and colors are edgy and current. This review is for the Nars Andy Warhol Flowers 1 ($55).

Evoking Andy Warhol’s use of silver throughout his work (and his “Silver Factory” studio where he lived and worked), the outside packaging is silver. Also, the lettering on the palettes is silver (rather than the traditional white).

Also, these palettes are huge– much larger than the traditional NARS blush or eyeshadow duo’s.

When I first opened this palette, I had a few simultaneous thoughts–first, Andy Warhol’s Flowers!!! Because, the graphics really are that good. The coloring is complex, tonal and has a silkscreened appearance. There’s some seriously beautiful work done. Even if you buy nothing from the collection, if you can get a good look at a freshly-opened palette it is worth the trouble to see it.

My other thought was–oh look–etching on the mirror!  On the inside mirror is a little Andy Warhol saying. It reminds me of the little Francois Nars sayings that come on little black cards in some products, except this is permanently etched so you can see it every time you use it. This particular one says “If you can convince yourself that you look fabulous, you can save yourself the trouble of primping.” So I decided that I did look fabulous (so do you, gorgeous!), but I primped anyway. By the way, the black is an overspray on this palette–it gently falls away with a brushstroke or two.

The next thought was….look at alllll that taupe. I was in absolute taupe heaven. As I said, these pans are large and the flower background is pretty, shimmery slightly purple taupe color.  So much beautiful taupe in the pan, you could practically take a bath in it.  Swatches, taupe on the far left:

 

And finally, I was worried that the palette would be too bright for me to carry off.  Like surgeons, Liz and I got to work–how could we make this palette look good on neutral-lovers?  Liz did a nice job for her part–she put the taupe all over the lid. Then she put the white in her inner corner. Then she washed the purple sheerly as a wash over much of the taupe.  She then added the silver Nars Andy Warhol Soft Touch Pencil in Silver Factory under her lower lash line. She’s using a black liner on her lower waterline only.

The taupe is a nice smooth, shimmery soft shadow. Love. The purple can be sheered (as you see it here), or applied a bit more densely. If you want it as vibrant as you see it in the pan, you’ll want to add a colored base. The white is a sparkly white. It’s not the most finely milled white that I have, but I suspect its meant to be that way. Nars knows how to finely mill a powder. Perhaps a Warhol Superstar would go for something bolder, and this white delivers that. You can apply it in a messy way by adding more layers of white to make it more edgy if you like (we kept it subtle).

You can see that the color in Liz’s upper lid is just slightly washed with the purple shade.

 

In contrast, today I did a full eye as suggested on the card  enclosed with the palette. Although this look is outside my comfort zone, I wanted to test the vibrancy and longevity of the shadows:

I applied the yellow color and purple primarily. I applied them over a dab of Edward Bess Platinum Concealer. I found that I couldn’t get a true-to-pan yellow or purple in a few swipes, but in truth I was a bit relieved (those are quite bright for me). One would really need to build it up to reach that very bright, saturated color and probably use a colored base (I don’t own bases in those colors).

To my relief, the colors were wearable because they didn’t easily build up as bright as they are in the pan. Used as individual colors, these delivered more than enough yellow and purple for me. They were a pretty combination–a bit like an iris. They have a very pretty sheen. Even in warm, humid weather I had the same color after 8 hours as when I started. I’ve been wearing the Nars Andy Warhol Flowers 3 palette all week, and I’ve had very good luck with that one too. Today, I went out to buy a Laura Mercier Eye Basic primer to do a little more stability research on these, I’ll post the results with the later palette reviews. Truthfully, I strongly prefer blending the colors together (the brick brown shade is gorgeous), and using the purple as a soft was as Liz did. But you might wish to wear the colors that emphasize these strong colors.

Nars sent the products used in this review without charge to Cafe Makeup for consideration for review. 

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