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Chanel Eyeshadow

Chanel Illusion D’Ombre Fantasme: Detailed Review

June 23, 2011

Chanel Illusion D’Ombre Long Wear Luminous Eyeshadow in Fantasme (#36 #81) reminds me of the first time that I tried on MAC’s Reflects Pearl.  There is a breath-taking level of magical soft pearly sparkle that veils the lid.  Like diamonds on fresh snow, Fantasme catches the light in a gasp-worthy way.

You can wear Fantasme alone over the lid as a sheer wash.  I applied Fantasme with a light finger-pat over another color (Embloui) to try layering.  Unlike MAC Reflects Pearl, which is a loose pigment, I did not experience fall-out problems.  The product stayed where it was placed. As a colorless neutral, Fantasme will work well as a sheer sparkle wash over any color, including the rest of those in the Illusion D’Ombre line.  Note that many of the shades already have microsparkle, and so adding Fantasme will be adding a bit of diamond icing over them.  I haven’t tried Fantasme over any powder or other cream shadows yet, although I’ll update this after trying to do so.

The mousse-gel texture of these seems to skate over (or fill in) any imperfections in the lid.  Unlike more metallic-with-sparkle shades, I do think this can be worn by any age brave enough if used sparingly–perhaps just a tap in the center of the lid over a deeper color.  I was pleased that it didn’t add lines–I’m enjoying this mousse texture.

We can debate the merits of having a high-sparkle shadow in one’s arsenal for weeks, and I respect your views.  If you don’t want some magic in your life, keep going.  I wish to gently point out that you are reading the blog of someone who goes to Paris at every opportunity, so as you can probably tell I like to push things.  This has more sparkle than I’m comfortable using for an every-day brow highlighter.  Used in the inner corner, visible sparkles can be seen. Still, I have hope for myself that there’s room in my life (and therefore my makeup drawer) for 0.14 ounces of illusion.

I’m not kidding myself that this is a PTA-friendly or for a conservative office. It’s a party in a bottle.  I might consider it for a certain type of wedding.  I love having some fun in my makeup collection–I don’t mind a little sparkle for a night out and I suspect I’ll be arm-wrestling Liz over this one.

No one does sparkle as well as Chanel. I’ve said it for years.  Fantasme is no exception.  Chanel has a way of making the extreme acceptable as long as the woman wearing it realizes that she’s on the edge and uses it appropriately.

This can be worn nearly-opaque, I suspect for the most highly dramatic stage or spotlight occasions.  Swatches (heavy opaque on the left, sheered out on the right):

 

Another Fantasme swatch:

Bottom line–gorgeous for the right occasion.

 

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Eyeshadow Nail Polish Serge Lutens

Serge Lutens Makeup

March 23, 2011

During my visit to Serge Luten’s Les Salons du Palais Royale, I was introduced to his makeup line.  The line is a highly edited collection (called “The Beauty Essentials“) that is made of products that are intended to look good on every woman, regardless of her skin tone.  The reason that one might choose one item over another is really personal preference and the look that you would like to project.

Unlike the vast counters from other lines, the depth of quality is excellent and the color selection is well-chosen and few in number.  For example, the eyeshadow range is one palette, there are two nail colors, one eyeliner (black), and ten lipsticks.

In the U.S., you can purchase these from Serge Lutens website or Barneys.  Les Salons had a display of some of the engraved compacts that are only sold in this Paris location.  There are only 15 made every year.

I was extremely tempted to try the nail polish and a few other items.  This gorgeous red nail polish (Sang Bleu/ $65) was one of the items that I wanted (but didn’t get):

 

Instead, I got the eyeshadow palette ($160), which has a warm ivory, a blue-based aubergine, a deep brown and a deep black, in a black compact:

Here is a close-up of the pans.  Because of the subtlety of these colors, I’m going to swatch this at home for you.  I would rather have color-accurate swatches done more carefully with lighting that I can control.

The compact is extremely well made, and of course the shadows are very luxurious.  I can see that these colors are universal enough to work for almost anyone.

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Eyeshadow Giorgio Armani

Giorgio Armani Eyes to Kill Eyeshadow

December 13, 2010

When Giorgio Armani announced a new eyeshadow formulation, Eyes to Kill, I was electrified.  First, Giorgio Armani understands creams, fluids, powders, textures and–let’s face it–glamour.  My hope was that they were execute a formula as no other company has.  The current buzz is that the three introduced for Holiday 2010–#13 (black), #15 (gold) and #16 (silver)–are a first step into a more extensive line.

I ordered the gold, #15, to test the formula.  Armani’s are $32 each (20% off if you catch a Friends & Family event).  By comparison, other pot eyeshadows are somewhat less–Make Up For Ever Aqua Creams are $22 each, and Shiseido Hydro-Powder eyeshadows are $25.   However, if you have read Café Makeup before you will probably not be surprised that I am undeterred by this disparity.

#15 is a blackened gold, in a little pot topped with a little loose lid, and a screw top:

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Eyeshadow Guerlain

Guerlain 10 Rue des Francs-Bourgeois

October 22, 2010

Guerlain’s Fall 2010 introduction of beautifully detailed 6-eyeshadow palettes includes 10 Rue des Francs-Bourgeouis ($84 Ecrin 6 Couleurs).  This series, each one named after a Guerlain boutique in Paris, includes several neutral shades that are intended to be used in a tone-on-tone manner that can be built to smoke the eye, with a centerpiece color intended to add some spark.

Café Makeup previously reviewed the overall architecture of these palettes here.  Created by furniture designer India Mahdavi, these are both elegant and usable.

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Chanel Eyeshadow

Chanel Spring 2010: Ombre Essentialle Soft Touch Eyeshadows in Sillage and Trace

December 29, 2009

Chanel Spring 2010 includes two new single eyeshadows from the Ombre Essentialle line (Ombre à Paupières Mono Douceur).  These are the Soft Touch Eyeshadows in Sillage and Trace ($28.50 each).  Sillage, which means “vapor trail” or “wake,” is a light shimmery highlight color with rosy bronze tones, with a hint of the mauvish tones that infuse the Kaska Beige quad.  Like some of the other shimmer products in this collection, the light makes this color into a chameleon–it can change quite a bit depending on how the light hits it.

Trace is a deep shimmery mauve-brown.  There is not enough grey in the color to call it a taupe, it is truly more in the brown family.  Of course, it will pair nicely with Sillage.  If you prefer a matte color, Chanel’s single in Beige will do well.

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